Actor's Journals -- Theatre w/Anatoly *  Acting Directory * <!-- v- textGEAR Code by http://htmlgear.com -v -->
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Stanislavsky asked his actor to write the personal diaries of the characters they play. So do I. Who am I to argue with Stanislavsky?
<p><center><a href=/rusam/classes/221.html>intermediate acting</a>
<p><a href=links.html>Links</a>
<p>Featured Pages: <a href=http://afronord.tripod.com/biomx/index.html target=floater>Biomechanics</a>
<p><a href=/rusam/new.html>New</a>
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<h4 align=right>Actor's Journals</h4>
<blockquote>
[I can't find the file. Here are my notes for THR221 Intermediate Acting]
<p>Monologues are the warmups for 221, should know from 121. Also, the reading so far -- Fundamentals of Acting (Actor
Checklist, 267-68). Appendix C (Forms), 449 The textbook!
<p>[6] 2/3 Set: Time-Space construction. Self-Directing: Floor plan. Mise-en-scene. Ch. 8. Menagerie, 81- , Miller, 85
<p>Four Techniques (Scene Study: Realism, ch. 16)
<p>1. Personalization (Characterization, 5 Ws, Vocal and Master-gesture). Choices. Walk, posture, center of gravity (age), accent, etc.
<p>2. Pantomimic dramatization (Improv, Situation + Character)<br>
1) Scene exprolation, 2) character development.
<p>3. Charter motivation (Objectives and Obstacles). Text, subtext, inner monologue.
<p>4. Visualization (movement, stage business, prop, floor plan). Levels, vertical and hirisontal reading.
<p>SEVEN STEPS
<p>
1. Dramatic analysis
<br>2. Partnership
<br>3. Improv as r. method (switch roles)
<br>4. Improv with the text
<br>5. BLOCKING AND CHOICES
<br>6. Interrupted run for rhythm and tempo. Other structures.
<br>7. Self-reflection, postmortem, analysis of performance text (forms) Role analysis in place of Character analysis.
<p>Collect the Actor's Texts. For drama monologues.
<p>[7] 2/5 Comedy Monologue due. Scenes: breakdown. Research and preparation. Scene selection for Midterm due. End of the book. Pinter 376-7, Shepard 409-411.
<p>Comedy monologues (memorized) papers before the performance.
<br>Monologue grade -- Performance, paperwork. Back with my comments.
<p>HOMEWORK; most of the work MUSt be done outside of class. Class is for instructions, demonstrations (performance), work on target areas and feed backs.
<p>Working on your own is expected after 121. Memorization is technical aspect, like reading or writing. Different skills, not
acting.
<p>You can a lot or little from the class. Acting means active -- your initiative.
<p>Our 90 min.:
<br>1) 8 x 5 min = 40. (scenes -- 10 min.)
<br>2) Rev. -- 10 min.
<br>3) New material (lecture) 30 min.
<br>4) 10 min -- group exercises
<p>I have to sacrifice everybody presentation every class, to catch up with the missing in the past.
<p>Missing class -- you don't an A. You have to make up for the missed class. No grades for Fri, 13 Acting for the Camera workshops.
<p>Overview of the task: Scenes, Camera, Method, Style (brief) -- non-realistic theatre.
<p>To be ready for directors. Ready to work. Why resume, auditions? Like hiring for a real job. Knowing and doing/using. Next to your history class. (Talk I gave to 200x. Actor's mind and attitude.) View from the other side -- struggle. Give me a break! -- No breaks.
<p>If you are behind, let me know -- send e-mail. A constant dialogue, not monologues like in other classes.
</blockquote>
<p>
<h4>Summary</h4>
I live in the constant shock for twenty years. I am suprised that they understand my illigitimate English!
<p>
<h4>Questions</h4>
What did you say?
<p>
<h4>Homework</h4>
You are getting Russian accent for free. Do Anatoly in the Spring (there is a competition at UAF to mock me).
<p>
<h4>Notes</h4>
Are you that good to to make fun of me?
<p>
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